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Marie-Louise Desmatins
Marie-Louise Desmatins (fl. 1682–1708) was a French soprano and creator of many roles in French Baroque opera. She performed in Jean Baptiste Lully's ''Persée'' (1682), ''Armide'' (1686 and 1703 revival), ''Achille et Polyxène'' (1687), ''Thésée'' (1698 revival), ''Isis'' (1704 revival), ''Roland'' (1705 revival), ''Bellérophon'' (1705 revival), ''Alceste'' (1706 revival), as well as in Pascal Collasse's ''Enée et Lavinie'' (1690) and ''Thétis et Pélée'' (1699 revival), André Cardinal Destouches' ''Issé'' (1697), Henri Desmarets' ''Didon'' (1704 revival), André Campra's ''Iphigénie en Tauride'' (1704), and Marin Marais' ''Alcyone'' (1706).〔Weller, Philip (1992). ("Desmatins, Mlle" ). ''The New Grove Dictionary of Opera''. Retrieved via Grove Music Online 7 July 2014.〕
The absence of her name in subsequent cast lists remained unexplained until 2007, when a report on the novel ''La Musique du Diable'' (1711) confirmed her death. A satirical narrative of Desmatins' afterlife in Hades, the novel suggests that she died of complications of a primitive form of liposuction.〔Chrissochoidis, Ilias (2007). ("''La Musique du Diable'' (1711)". ) (''Society for Eighteenth-Century Music Newsletter'' ), pp. 7–9. Retrieved 7 July 2014.〕
An extant portrait of her was painted by Robert Le Vrac de Tournières.〔Bridgeman Art Library. (Portrait of the singer Marie-Louise Desmatins (1670-1708) ). Retrieved 10 July 2014.〕
== References ==
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